Across e.strange.d, all of the words, phrases, and questions shn shn repeats are building blocks for your own reflections.
Why is it when something is described as ārepetitiveā it is so often a criticism? To keep up with the worldās fast pace, you have to consume quickly and then, before youāve had the chance to absorb it, move on to whatever the next great thing is. But thereās knowledge and beauty to be gleaned from repetition. Lately, Iāve longed to re-read my favourite books and to, once again, get lost in a world that I know and love. And donāt the seasons arrive again and again? And doesnāt the sun rise and set each day? Isnāt that repetitive? But isnāt it magnificent?
shn shn finds beauty in repetition on e.strange.d. To be sure, no song sounds alike. The Toronto-based ambient producer builds layers and layers of celestial sounds that often seem to be floating like stars in the night sky. Thereās an eerie ethereal touch to the guitar and bass melodies on ānever say goodbyeā but the undercurrent of the EPās closer, ādivine,ā and the lone track that features shn shn softly rapping, is a sticky beat that feels corporal.
In response to the complexities of her instrumental arrangements, shn shnās lyrics are pared down to the essentials. On ānever say goodbye,ā that phrase is interminable, so much so that it feels like you will never have to say goodbye. And although the prismatic vocal effect makes it seem like there are many shn shns speaking to you, she repeats only two words (ātake timeā) for the majority of the opening track. shn shn plays with the question āwhy donāt you stay here with me?ā on āmaladaptive daydreams,ā a track whose instrumentation is perfectly at odds: an airy synth and a circular clanky beat. The last two words of her question ā āwith meā ā are delivered quietly, almost as if at the last second she chose to be bold.
Thereās a guided meditation quality to e.strange.d The intricateness of shn shnās graceful arrangements are beautifully entrancing and across e.strange.d, all of the words, phrases, and questions she repeats are building blocks for your own reflections.
And then you can play it again.
Thanks for checking out DOMINIONATED
We rely on reader support to keep delivering Canadian music conversations like the one you’re reading.
Become a supporter and help keep DOMINIONATED’s conversations going.